ELIZAVETA RESIDENCY 09:30 PM
JESSIE PAYO 10:30
Jessie Payo is a quadruple threat: singer, songwriter, actress and dancer — she’s emerging as one of the most gifted artists in the modern music scene. Having just launched her solo career, Ms. Payo is proving to be a sweet-sounding force to be reckoned with. Known for her brilliant vocal ability and poetic songwriting savvy, she can write and wail everything from Top-40 Pop to gritty rock and roll. She’s proof that incredible things can come in adorably small packages.
Jessie’s opened for The Black Eyed Peas, Jason Mraz, Lauryn Hill, Lupe Fiasco, Etta James, and Boyz II Men. And her music has appeared on MTV’s hit series’ “The Hills”, “The City”, “My Super Sweet Sixteen”, ABC’s “Make it or Break it”, FOX’s “So You Think You Can Dance”, CBS’s “Criminal Minds”, E!’s “The Daily Ten”, and Disney Channel’s “Halloween Town High”. Jessie also received a Gold Record for her performance on Disney’s “Jump In” soundtrack.
Most recently, Jessie wrote and performed as the lead singer of the pop-duo JUPITER RISING, where she toured across the country headlining clubs and other renowned venues. Their hit song “Electropop” received over a million plays on MySpace and has been heard on radio stations around the world.
Born in New York and raised in Russia, self-described "opera pop" artist Elizaveta Igorevna Khripounova graduated with honors from the University of Southern California. The pianist, singer/songwriter, and opera singer applied her classical training in piano and voice to her debut EPs, Breakfast with Chopin and Like Water. Melding her love of the classical world with a passion for Nina Simone, Adele, and Queen, the newly minted Elizaveta eventually inked a deal with Universal Republic Records, resulting in a self-titled EP in 2011 and a full-length studio debut, the Greg Wells-produced Beatrix Runs, in 2012.
Over the last five years this Belgian artist (born Jonathan Vandenbroeck) has emerged as one of Europe’s most exciting young talents: a plugged-in singer-songwriter with the ability to touch a crowd and the pop know-how required to make great records. He’s an old-school soul with a new-fashioned sensibility, a troubadour fascinated by technology. Milow’s music gleams with the inherited songcraft o f his heroes—Ryan Adams, Bruce Springsteen, Jack Johnson—but it also reflects a point of view all his own, with specific concerns about growing pains and the future of his generation. This combination of the intimate and the widescreen has won Milow a devoted fanbase across Europe, not to mention a list of achievements that includes number-one singles, platinum albums, sold-out tours, performances at some of the world’s most prestigious festivals and millions upon millions of YouTube hits. What’s more, he’s accomplished all this as his own boss, releasing music through Homerun Records, a label he founded in his bedroom. “I just never wanted to have to answer to anyone else,” he says of the DIY operation. “It’s always been my call.” You’d understand, then, if Milow were in the mood to give himself a break—especially now that he’s relocated for the time being from Belgium to sunny Southern California, where he once spent a year as an exchange student during high school. For many artists, success means stop; for Milow it’s a reason to go. Instead, he’s excited to embark upon the natural next step of his career: building an audience in the United States. Some high-profile Americans are already on board. Milow has shared the stage with Jack Johnson and Brett Dennen. Even Kanye West is a fan and posted Milow’s cover of “Ayo Technology”—yes, the 50 Cent/Justin Timberlake jam—to his tastemaking blog, helping drive the song’s eye-popping video to its current total of over 50 million views. Yet with the same humble spirit that originally inspired him to take up the accordion at the age of nine, Milow is starting small on these shores, playing intimate venues like L.A.’s Hotel Café, which booked him for a five-night residency in February. That’s actually an experience he’s looking forward to having again: ask Milow about re-introducing tunes so familiar now to so many across the pond and he’ll tell you it’s led him to think deeply about what an artist’s job should be and how he can strengthen the bond between him and his fans. “Every time I get onstage, I feel like that’s an opportunity to show a little bit more of myself,” he says. "Some of my songs are about really serious topics, but I also like to have fun, and I think my shows are where I can make that clear." YouTube is littered with concert clips that prove he’s right. Now that Milow is concentrating his efforts in the United States, he can’t wait to present the evidence live and in person. A sophisticated music-scene veteran with the bottomless energy of a beginner, Milow is ready for what’s next.